Items where Subject is "PN2000 Dramatic representation. The Theater"

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Bailey, RA ORCID: 0000-0002-1722-5826 (2025) Revellers of fate': Thomas Salusbury's 'An Antimasque of Gypsies' performed at Chirk Castle on 30 December, 1641. In: Price, B and Hinds, H, (eds.) Early modern drama and the theatre of war Militarism, conflict and disruption in the plays of Shakespeare and his contemporaries. Manchester University Press, Manchester. ISBN 9781526184344

Bailey, RA (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. ISSN 1086-332X

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Frieze, J (2016) One Step Forward, One Step Back: Resisting the Forensic Turn. In: Performance and Participation Practices, Audiences, Politics. Palgrave, pp. 189-208. ISBN 1137393181

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Gaynor, S (2023) What else can I add? Inverting the narrative through female perspectives in Falling for a Killer, My Favorite Murder, and Murder, Mystery and Make Up. In: Larke-Walsh, G, (ed.) True Crime in American Media. Routledge, New York, pp. 180-196. ISBN 9781032123479

Graham, E, Loyd, S, Bowsher, J, Shannon, W, Lamb, E, MacLean, S-B and Bailey, RA The Earls of Derby and the Early-Modern Performance Culture of North-West England. In: Graham, E, (ed.) Shakespeare Bulletin (Special Edition). Shakespeare Bulletin, 38 . Johns Hopkins University Press. (Accepted)

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Hogarth, SE, Bramley, E and Howson-Griffiths, TR (2018) Immersive Worlds: an exploration of how performers facilitate the Three Worlds in Immersive Performance. Theatre, Dance and Performance Training, 9 (2). pp. 189-202. ISSN 1944-3919

Howson-Griffiths, T ORCID: 0000-0001-5567-7789 (2024) Beyond spectacle: inadvertent and intentional use of the mundane in immersive theatres. Performance Research: A journal of the performing arts, 28 (4). pp. 100-110. ISSN 1352-8165

Howson-Griffiths, TR ORCID: 0000-0001-5567-7789 (2019) Sensory labyrinth theatre: an untold immersive theatre history. Studies in Theatre and Performance, 40 (2). pp. 190-205. ISSN 1468-2761

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Kewley, S (2019) Changing Identities through Staging Recovery: The role of Community Theatre in the Process of Recovery. The Arts in Psychotherapy. ISSN 0197-4556

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Morris, MJ (2017) New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon. Contemporary Theatre Review, 27 (2). ISSN 1048-6801

Myles, R (2025) Shakespeare and Original Parallels: Early Modern Scholarship and Innovation Principles. Doctoral thesis, Liverpool John Moores University.

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Perfect, MJ (2015) Lives of Pi: on Turning Booker Prizes into Academy Awards. In: Flajšarová, P and Flajšar, J, (eds.) Anglophone Culture Across Centuries and Borders. University of Palacky Press, Olomouc: Univerzita Palackeho, pp. 51-61. ISBN 978-80-244-4732-2

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Romanello, F (2020) Spontaneity and Repetition: Towards Immanence in Text-based Performance. Doctoral thesis, Liverpool John Moores University.

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Sherlock, A (2015) Re-Presenting the City, A Dramatist's Contextualisatioon of his Works on Liverpool, Post 1990. Doctoral thesis, Liverpool John Moores University.

Smith, M (2023) Creating Plays Through Play: The Role of the Devising Director and the Application of Improvisation within Devised Theatre Practice. Doctoral thesis, Liverpool John Moores University.

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Temussi, V (2021) Traces and Echoes: a methodology for the making of embodied performance. Doctoral thesis, Liverpool John Moores University.

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Wall, T ORCID: 0000-0003-2334-3279, Österlind, E, Lehtonen, A, Khalaim, O, Fries, J, Hallgren, E and Piasecka, S (2025) Drama as a transformational capability of sustainability science. Sustainability Science. ISSN 1862-4065

Willie, R ORCID: 0000-0002-2973-4097 (2024) Thomas Nashe beyond the grave. In: Preedy, CK and Willie, R, (eds.) Thomas Nashe and Literary Performance. Revels Plays Companion Series . Manchester University Press, Manchester. ISBN 978-1-5261-4946-6

Willie, RJ (2021) Inscribing Textuality: Milton, Davenant, Authorship and the Performance of Print. In: Depledge, E, Garrison, J and Narcosia, M, (eds.) Making Milton: Print, Authorship, Afterlives. Oxford University Press, pp. 92-107.

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Zavros, D ORCID: 0000-0001-9513-6944 (2021) Encounters with ‘the same’ (but different): London Road and the politics of territories and repetitions in verbatim musical theatre. Studies in Musical Theatre, 15 (3). pp. 219-235. ISSN 1750-3159