Article

Bailey, RA (2023) “Noe dish whose tast, or dressing, is unknown / Unto oʳ natives” (ll. 54-55): an examination of local and global material cultures in the food rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”. English Literary Renaissance, 54 (1). pp. 52-75. ISSN 0013-8312

Bailey, RA (2021) "Your name shall liue / In the new yeare: as in the age of gold" Sir Thomas Salusbury’s "Twelfth Night Masque, Performed at Knowsley Hall in 1641" and its Contexts. Shakespeare Bulletin: a journal of performance, criticism, and scholarship, 38 (3). pp. 465-487. ISSN 0748-2558

Bailey, RA (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. ISSN 1086-332X

Book Section

Bailey, RA (2020) ‘Thy sceptre to a trident change / And straight, unruly seas thou canst command’: Contemporary representations of King Charles I and the Ship Money Fleets within the cultural imagination of Caroline England. In: Davey, J and Blakemore, R, (eds.) The Maritime World of Early Modern Britain. Amsterdam University Press, Amsterdam, pp. 193-228. ISBN 9789463721301

Graham, E, Loyd, S, Bowsher, J, Shannon, W, Lamb, E, MacLean, S-B and Bailey, RA The Earls of Derby and the Early-Modern Performance Culture of North-West England. In: Graham, E, (ed.) Shakespeare Bulletin (Special Edition). Shakespeare Bulletin, 38 . Johns Hopkins University Press. (Accepted)

Bailey, RA ‘Revellers of fate’ (150): Thomas Salusbury’s ‘An Antimasque of Gypsies’ performed at Chirk Castle on 30 December, 1641. In: Price, B and Hinds, H, (eds.) Early Modern Drama and the Theatre of War: Essays in Honour of Simon Barker. Manchester University Press, Manchester. (Accepted)

Monograph

Bailey, RA, Pereda, J, Michaels, C and Callahan, T (2024) Unlocking the Potential of Digital Collections. A call to action. Technical Report. Towards a National Collection.