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Kealey, N and Jones, G (2021) Who Killed Cock Robin? Lyrics on trial – the criminalisation of urban sub-genre music and the defence of Digga D. Policing Insight.

Krüger, S (2019) Paraguay: Modern and Contemporary performance practice. In: Sturman, JL, (ed.) Sage International Encyclopedia of Music and Culture. Sage. ISBN 978-1483317755

Krüger, S (2013) Undoing Authenticity as a Discursive Construct: A Critical Pedagogy of Ethnomusicology and “World Music”. In: Alge, B and Kraemer, O, (eds.) Beyond Borders: Welt-Musik-Pädagogik: Musikpädagogik und Ethnomusikologie im Diskurs. Wissner Verlag, Augsburg, pp. 93-114. ISBN 978-3896398840

Krüger, S (2015) World Music, World Circuit: In Conversation with Nick Gold. Journal of World Popular Music, 2 (2). ISSN 2052-4919

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Maidment, BE (2021) ‘Will you walk into the parlour?’ – Lloyds’s Songbook and the domestication of the popular lyric. In: Lill, S and McWilliam, R, (eds.) Edward Lloyd and His World: Popular Fiction, Politics and the Press in Victorian Britain. Routledge.

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Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427

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Willie, RJ (2022) Ballads, Tudor Vagabonds and Roundhead Reputations: the Restoration After-Life of Cook Laurel. Huntington Library Quarterly: studies in English and American history and literature, 85 (1). pp. 91-111. ISSN 0018-7895