A

Allen, E (2007) The dislocated mind : the fiction of Raymond Williams. Doctoral thesis, Liverpool John Moores University.

B

Barrett, J and Fong, R (2020) Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations. In: Piotrowska, A, (ed.) Creative Practice Research in the Age of Neoliberal Hopelessness. Edinburgh University Press, pp. 94-106. ISBN 9781474463560

Buscall, J (2004) Being Helle + creative writing at the nexus of fiction & theory : a case study analysis of the interaction between fiction & critical praxis. Doctoral thesis, Liverpool John Moores University.

G

Griffiths, G (2020) The Politics and Aesthetics of 1990s Punk Women's Writing: Reading Riot Grrrl after Kathy Acker and against the anti-feminist backlash. Doctoral thesis, Liverpool John Moores University.

H

Hammond, CA (2015) Monstrosity and the Not-Yet: Edward Scissorhands via Ernst Bloch and Georg Simmel. Film-Philosophy, 19. pp. 221-248. ISSN 1466-4615

Hammond, CA (2018) Three Monkeys (2008): oblivion, anamnesis and the latent spectrality of hope. Culture and Religion, 20. ISSN 0143-8301

Howson, TR (2015) Cinema of the dark side, atrocity and the ethics of spectatorship. Transnational Cinemas, 6 (2). pp. 209-211. ISSN 2040-3526

K

Kandola, S (2020) Lucas Malet, Dissident Pilgrim; Critical Essays. Journal of Victorian Culture, 25 (3). pp. 470-473. ISSN 1355-5502

M

Makarem, Y, Metcalfe, BD and Afiouni, F (2019) A feminist poststructuralist critique of talent management: Toward a more gender sensitive body of knowledge. BRQ Business Research Quarterly, 22 (3). pp. 181-193. ISSN 2340-9436

Menozzi, F (2017) Intimate Class Acts: Friendship and Desire in Indian and Pakistani Women’s Fiction By Maryam Mirza Oxford University Press, 2016, 224 pp. The Cambridge Journal of Postcolonial Literary Inquiry, 5 (1). pp. 137-138. ISSN 2052-2614

N

Norquay, G (2016) The Art of Fiction: Henry James and Robert Louis Stevenson. In: Hubbard, T, (ed.) Critical Insights: Henry James. Salem Press: Grey House Publishing, Masachusetts, pp. 141-154. ISBN 978-1619258365

Norquay, G (2017) Kate Atkinson: Plotting to Be Read. In: The Contemporary British Novel Since 2000. Edinburgh University Press. ISBN 9781474403726

Norquay, G (2017) Robin Jenkins: Perspectives on the Postcolonial. In: Gifford, D and Bicket, L, (eds.) The Fiction of Robin Jenkins. SCROLL: Scottish Cultural Review of Language and Literature, 26 . Brill. ISBN 9789004337046

P

Price, J (2017) Antarctica and the Traumatic Sublime. Environment, Space, Place, 9 (1). pp. 70-93. ISSN 2068-9616

T

Tolan, F (2017) Aging and Subjectivity in Margaret Atwood's Fiction. Contemporary Women's Writing, 11 (3). pp. 336-353. ISSN 1754-1484

W

Walchester, K (2023) Mountains, therapy, and the peripatetic writing space: Elizabeth Le Blond in France and Switzerland in the 1880s. In: Baker, Katie and Walker, Naomi, (eds.) A Space of Their Own Women, Writing and Place 1850-1950. Taylor & Francis. ISBN 9781003270102

Warren, LH (2000) For all sorts and conditions of women : an analysis of the construction of meaning and identity in Woman magazine, 1890-1910. Doctoral thesis, Liverpool John Moores University.