B

Bailey, RA (2013) Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage. Theatre Journal, 65 (2). pp. 197-214. ISSN 1086-332X

F

Frieze, J (2016) One Step Forward, One Step Back: Resisting the Forensic Turn. In: Performance and Participation Practices, Audiences, Politics. Palgrave, pp. 189-208. ISBN 1137393181

G

Gaynor, S (2023) What else can I add? Inverting the narrative through female perspectives in Falling for a Killer, My Favorite Murder, and Murder, Mystery and Make Up. In: Larke-Walsh, G, (ed.) True Crime in American Media. Routledge, New York, pp. 180-196. ISBN 9781032123479

Graham, E, Loyd, S, Bowsher, J, Shannon, W, Lamb, E, MacLean, S-B and Bailey, RA The Earls of Derby and the Early-Modern Performance Culture of North-West England. In: Graham, E, (ed.) Shakespeare Bulletin (Special Edition). Shakespeare Bulletin, 38 . Johns Hopkins University Press. (Accepted)

H

Hogarth, SE, Bramley, E and Howson-Griffiths, TR (2018) Immersive Worlds: an exploration of how performers facilitate the Three Worlds in Immersive Performance. Theatre, Dance and Performance Training, 9 (2). pp. 189-202. ISSN 1944-3919

Howson-Griffiths, T (2024) Beyond spectacle: inadvertent and intentional use of the mundane in immersive theatres. Performance Research: A journal of the performing arts, 28 (4). pp. 100-110. ISSN 1352-8165

Howson-Griffiths, TR (2019) Sensory labyrinth theatre: an untold immersive theatre history. Studies in Theatre and Performance, 40 (2). pp. 190-205. ISSN 1468-2761

K

Kewley, S (2019) Changing Identities through Staging Recovery: The role of Community Theatre in the Process of Recovery. The Arts in Psychotherapy. ISSN 0197-4556

M

Morris, MJ (2017) New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon. Contemporary Theatre Review, 27 (2). ISSN 1048-6801

P

Perfect, MJ (2015) Lives of Pi: on Turning Booker Prizes into Academy Awards. In: Flajšarová, P and Flajšar, J, (eds.) Anglophone Culture Across Centuries and Borders. University of Palacky Press, Olomouc: Univerzita Palackeho, pp. 51-61. ISBN 978-80-244-4732-2

R

Romanello, F (2020) Spontaneity and Repetition: Towards Immanence in Text-based Performance. Doctoral thesis, Liverpool John Moores University.

S

Sherlock, A (2015) Re-Presenting the City, A Dramatist's Contextualisatioon of his Works on Liverpool, Post 1990. Doctoral thesis, Liverpool John Moores University.

Smith, M (2023) Creating Plays Through Play: The Role of the Devising Director and the Application of Improvisation within Devised Theatre Practice. Doctoral thesis, Liverpool John Moores University.

T

Temussi, V (2021) Traces and Echoes: a methodology for the making of embodied performance. Doctoral thesis, Liverpool John Moores University.

W

Willie, R (2024) Thomas Nashe beyond the grave. In: Preedy, CK and Willie, R, (eds.) Thomas Nashe and Literary Performance. Revels Plays Companion Series . Manchester University Press, Manchester. ISBN 978-1-5261-4946-6

Willie, RJ (2021) Inscribing Textuality: Milton, Davenant, Authorship and the Performance of Print. In: Depledge, E, Garrison, J and Narcosia, M, (eds.) Making Milton: Print, Authorship, Afterlives. Oxford University Press, pp. 92-107.

Z

Zavros, D (2021) Encounters with ‘the same’ (but different): London Road and the politics of territories and repetitions in verbatim musical theatre. Studies in Musical Theatre, 15 (3). pp. 219-235. ISSN 1750-3159