Thesis

Bulley, E (2005) The spiritual in contemporary art : Antoni Tapies & Cos de materia y taques taronges (1968). Doctoral thesis, Liverpool John Moores University.

Burton, I (2023) Post-mortem and ante-mortem 2D and 3D facial comparison for forensic identification. Doctoral thesis, Liverpool John Moores University.

Butterworth, C (2014) The Development of Live Art in Liverpool from 1979-2013: Toward Pragmatic Recommendations for the Sustainability of Live-Art Practice in Liverpool. Doctoral thesis, Liverpool John Moores University.

Carroll, JL (2017) Renaissance to Regent Street: Harold Rathbone and the Della Robbia Pottery of Birkenhead. Doctoral thesis, Liverpool John Moores University.

Chen, N-T (2023) Invisible Hands: The Ethnic Chinese Influence on the Development of Southeast Asian Contemporary Art from 1990 to 2022. Doctoral thesis, Liverpool John Moores University.

Crowe, D (2019) Painting with Light: A practice-led exploration of contemporary painting and the illuminated frame. Doctoral thesis, Liverpool John Moores University.

Freeney, AM (2016) Engaging students with Computer Coding in the Visual and Applied Arts in Higher Education: The Possibilities, Challenges and Opportunities. Masters thesis, Liverpool John Moores University.

Hagerty, P (1999) The continuity of landscape representation : the photography of Edward Chambre Hardman (1898-1988). Doctoral thesis, Liverpool John Moores University.

Hill, J (2021) Syntegration against the platform: Experimentation with the Team Syntegrity protocol for viable institutional forms that counter the logic of algocracy in institutions of contemporary art. Doctoral thesis, Liverpool John Moores University.

Kent, J (2016) Sound Received: immersion, listening and anthropology. Doctoral thesis, Liverpool John Moores University.

Landi, D (2020) THINKING MAKING AND LIVING ARCHITECTURE IN AN AGEING SOCIETY. THE TYPOLOGICAL PROBLEM IN CONTEMPORARY CULTURE AS AN INSTRUMENT OF SOCIAL INCLUSION FOR PEOPLE LIVING WELL WITH DEMENTIA. Doctoral thesis, Liverpool John Moores University.

Lynch, J (2022) Perfection and Performativity in Print: Visual Analyses of Gender and Sexuality Portrayals in Popular Japanese Graphic Arts since the 17th Century. Doctoral thesis, Liverpool John Moores University.

MacKinnon-Day, P (2017) Intimacy and Immensity A Practice-led Explo of People and Place. Doctoral thesis, Liverpool John Moores University.

Maguire, V (2010) Shamanarchy : The life and work of Jamie Macgregor Reid. Doctoral thesis, Liverpool John Moores University.

May, S E (2007) Sublime and infernal reveries : George Romney and the creation of an eighteenth-century history painter. Doctoral thesis, Liverpool John Moores University.

McConnachie, P (2023) Soundings: A Practice Led investigation into Interactive and Immersive Sound Art Installations 2000-2018. Doctoral thesis, Liverpool John Moores University.

Melia, A (2021) Urban Social Aesthetics: Individuating Contemporary Art's Urban Marxist Tendency. Doctoral thesis, Liverpool John Moores University.

Muir, P E D (2003) Against the will to silence : an intellectual history of the American art journal October between 1976 and 1981. Doctoral thesis, Liverpool John Moores University.

Raksadeja, K (2018) Digital and Interactive Media Analysis of Myths and Traditions Expressed in Thai Fairground Art. Doctoral thesis, Liverpool John Moores University.

Santos Barea, C (2022) Gangsta Rap - A Practice-led Autoethnographic Study in the Audiovisual Arts. Doctoral thesis, Liverpool John Moores University.

Saviotti, A (2024) Hacking Art Education. Arte Útil as an educational methodology to foster change for curriculum planning. Doctoral thesis, Liverpool John Moores University.

Schofield, J (2021) The Artist-Led Condition: Reframing Self-Organisation in the Visual Arts in the UK Post-2007. Doctoral thesis, Liverpool John Moores University.

Shaw, B (1998) Sculpture : a vital occupation - a study of sculpture as a significant occupation as opposed to a pastime, for people with cancer. Doctoral thesis, Liverpool John Moores University.

Shrimpton, SL (2018) Facial creation: using compositing to conceal identity. Doctoral thesis, Liverpool John Moores University.

Smith, CR (2001) Procuring the urban house in paradise. Doctoral thesis, Liverpool John Moores University.

Smith, K (2020) Laws of the Face: Re-Staging Forensic Art as a counter-forensic device. Doctoral thesis, Liverpool John Moores University.

Smith, R (2020) Parafiction as Matter and Method. Doctoral thesis, Liverpool John Moores University.

Tsampalla, S (2023) Commoning the Biennial or the Biennialisation of the Commons? Examining how Large-scale Periodic Exhibitions Learn from Urban Common Spaces: Athens Biennale 5-6, OMONOIA (2015-2017) and documenta 14, Learning from Athens (2017). Doctoral thesis, Liverpool John Moores University.

Wray, LM (2016) Turning Left: Counter-Hegemonic Exhibition-Making in the Post-Socialist Era (1989-2014). Doctoral thesis, Liverpool John Moores University.

Yorke, S (2022) How do Current Economic and Cultural Criteria for Assessing the Effectivity of the Liverpool Biennial Impact Upon its Planning, Strategies, and Resourcing? Doctoral thesis, Liverpool John Moores University.

Young, D (1998) Fine art application of holography : the historical significance of light and hologram in visual preception and artistic depiction. Doctoral thesis, Liverpool John Moores University.