Items where Subject is "NX Arts in general"

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Adams, M, Power, E and Garland, J (2023) Prison Food: what we learned from organising food-themed art workshops for women prisoners. The Conversation. ISSN 2201-5639

Aikio, M, Al-Nawas, A, Henriksson, M, Bopape, DS, Brathwaite-Shirley, D, Opera, GS, Heikkilä, A, INTERPRT, Keiken, Lindfors, S, Petronella, L, Tallberg, S, Nau, L, Gordo, AM, Närhinen, T, PHOSfate, Policarpo, D, Rahaa, S, Razavi, B, Forest, R et al (2023) New Directions May Emerge. Helsinki Biennial 2023. HAM Helsinki Art Museum, Helsinki. ISBN 978-952-5939-44-6

Antaki, N, Belfield, A and Moore, T ORCID: 0000-0003-0634-2776 (2024) Radical Urban Classrooms: Civic Pedagogies and Spaces of Learning on the Margins of Institutions. Antipode, 56 (5). pp. 1509-1534. ISSN 0066-4812

Appleton, P Interactive sound garden for Little Bridge Children’s Hospice ,Barnstaple North Devon. This adds an immersive sound element to the garden themed around the C.S. Lewis novel the Lion , the Witch and the Wardrobe. [Show/Exhibition]

Armstrong-Gibbs, FD (2016) Baltic Creative Community Interest Company: Critical Success Factors in Creative and Digital Clusters in Liverpool, UK. In: Abstracts of the Papers Presented at the 4th International Conference on Innovation and Entrepreneurship . (4th International Conference on Innovation and Entreprenurship, 28 April 2016 - 29 April 2016, Toronto).

Armstrong-Gibbs, FD (2014) Embedding Enterprise Education: the Fashion Project. Investigations in university teaching and learning, 9. pp. 3-7. ISSN 1740-5106

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Bailey, R and Pereda, J (2022) Achieving representation in sustainable socio-technical infrastructures. In: 26th General Conference ICOM Prague . (26th General Conference ICOM Prague, 20 - 28th August 2022, Hybrid mode Online and in Prague).

Bailey, RA, Pereda, J ORCID: 0000-0001-8211-4914, Michaels, C and Callahan, T (2024) Unlocking the Potential of Digital Collections. A call to action. Technical Report. Towards a National Collection.

Bang Larsen, L, Bogh, M, Högkvist, S, Krysa, J and Maija Tanninen-Mattila, M (2019) Musées et museum studies dans les pays nordiques Un débat entre Mikkel Bogh, Stina Högkvist, Lars Bang Larsen et Maija Tanninen-Mattila, mené par Joasia Krysa. Perspective : actualité en histoire de l'ar, 2019 (1). pp. 45-68. ISSN 2269-7721

Birchall, MG (2017) Situating participatory art between process and practice. ARKEN Bulletin, 7. pp. 56-74. ISSN 1602-9402

Birchall, MG (2017) The precarious nature of curatorial work. In: Buckley, B and Conomos, J, (eds.) Who Runs the Artworld: Money, Power and Ethics. Libri, Faringdon, pp. 91-104. ISBN 9781911450139

Broady, R (2019) Poor Reporting: The Political Unconscious in Journalistic Responses to Poverty and Protest During the Cotton Crisis. Doctoral thesis, Liverpool John Moores University.

Brown, G (2022) Excess and the edge; Popular Cultural Revival of a City. In: Kruth, J and Rugare, S, (eds.) Urban Histories in Practice: Morphologies and Memory. The Arts, Design and Culture in Cities . Cambridge Scholars Publishing, pp. 116-138. ISBN 978-1527587946

Butterworth, C (2014) The Development of Live Art in Liverpool from 1979-2013: Toward Pragmatic Recommendations for the Sustainability of Live-Art Practice in Liverpool. Doctoral thesis, Liverpool John Moores University.

Byrne, J (2016) History, Use Value, and the Contemporary Work or Labour of Art. In: ten Thije, S, Aikens, N, Seijdel, J and Lange, T, (eds.) What’s the Use? Constellations of Art, History and Knowledge A Critical Reader. Valiz/L'Internationale, Amsterdam, pp. 114-128. ISBN 978-94-92095-12-1

Byrne, J (2016) Social Autonomy and the Use Value of Art. Afterall: A Journal of Art, Context and Enquiry, 42 (201). pp. 60-69. ISSN 1465-4253

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Candela, G, Pereda, J ORCID: 0000-0001-8211-4914, Saez, D, Escobar, P, Sanchez, A, Villa Tores, A, Palacios, AA, McDonough, K and Murrieta-Flores, P (2023) An ontological approach for unlocking the Colonial Archive. Journal on Computing and Cultural Heritage, 16. pp. 1-18. ISSN 1556-4673

Carr, A ORCID: 0000-0002-7374-8621 (2022) Collecteurs Academy, Collecteurs New York - The Museum of Private Collections , conference and talk by Adam Carr. In: Art History.

Carr, A ORCID: 0000-0002-7374-8621 (2021) 'Conversations with Everyone' A conversation between Adam Carr and Ryan Gander. Contemporânea, Portugal.

Carr, A and Martin, CJ (2018) Lara Favaretto. In: Carr, A, (ed.) Lara Favaretto. Rennie Collection, Vancouver, pp. 8-17. ISBN 0986596191

Carroll, JL (2017) Renaissance to Regent Street: Harold Rathbone and the Della Robbia Pottery of Birkenhead. Doctoral thesis, Liverpool John Moores University.

Chatzitryfonos, P (2024) Co-creating the Future: A Digital Placemaking journey from strategic Augmented Reality development to Community Engagement via Transmedia Storytelling for local town centre revitalisation. UNSPECIFIED thesis, Liverpool John Moores University.

Chen, N-T (2023) Invisible Hands: The Ethnic Chinese Influence on the Development of Southeast Asian Contemporary Art from 1990 to 2022. Doctoral thesis, Liverpool John Moores University.

Collins, A, Fillis, I ORCID: 0000-0002-8735-0948 and Goknil Sanal, Z (2023) Social inclusion of disabled performers in the performing arts: a case from Turkiye. Equality, Diversity and Inclusion: An International Journal. ISSN 0261-0159

Coombs, Neil (2014) THE COMMUNICATING VILLAGE: HUMPHREY JENNINGS AND SURREALISM. Doctoral thesis, Liverpool John Moores University.

Curatolo, M, Fidder, J, Findji, C, Gras, M, Krysa, J ORCID: 0000-0002-0940-1762, Mayer, A, Mey, A, Nolasco-Rózsás, L, Ramos, F and Šerešová, M (2023) THE HELSINKI BIENNIAL ART MEDIATION FORUM 2023 An Anthology. HAM Helsinki Art Museum 2023. ISBN 978-952-5939-45-3

Curd, E (2020) ‘The People’s Glossary’: Using dialogic art to create a common language for User-led Museum practice. Doctoral thesis, Liverpool John Moores University.

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De Groote, I (2015) D8.2 Dissemination Plan (DIGIART - The Internet of Historical Things and Building New 3D Cultural Worlds). Documentation. DigiArt. (Unpublished)

Dunn, H ORCID: 0000-0002-9514-0465 (2024) Exploring the impact of Visual Impairment Awareness Training: Phenomenographic research with PGCE secondary art and design trainees. PRISM: casting new light on learning, theory and practice. ISSN 2514-5347

Dunn, H ORCID: 0000-0002-9514-0465 (2021) Opening up opportunities - gaining experience and skills for pupils with visual impairment. AD Magazine, Spring (30). pp. 20-21. ISSN 2046-3138

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Eyene, C, Memou, A, Dujardin, P and Boodt, KD (2018) Resist! The 1960s Protests, Photography & Visual Legacy. BOZAR (Brussels) & Lannoo Publishers. ISBN 9789401455855

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Ferrebe, AC (2018) Artists of Their Time: The Postwar Battle for Realism in Literature and Painting. In: Plain, G, (ed.) British Literature in Transition 1940-1960: Postwar. British Literature in Transition . Cambridge University Press, pp. 225-242. ISBN 9781107119017

Fillis, I ORCID: 0000-0002-8735-0948, Lee, B and Fraser, I (2023) Creation and consumption experience of cultural value in contemporary art. In: Jung, Y, Vakharia, N and Vecco, M, (eds.) The Oxford Handbook of Arts and Cultural Management. Oxford University Press. ISBN 9780197621615

Fillis, I ORCID: 0000-0002-8735-0948, Lehman, K, Rentschler, R and Lee, B (2022) Arts marketing during COVID-19: A critical review and theoretical integration. Arts and the Market. ISSN 2056-4945

Fillis, I ORCID: 0000-0002-8735-0948, Rentschler, R and Lee, B (2022) National identity and the future of branding the arts. Futures, 145. ISSN 0016-3287

Fillis, IR ORCID: 0000-0002-8735-0948, Lee, B and Fraser, I (2022) The role of institutional relationships in shaping the career development of emerging artists. Arts and the Market. ISSN 2044-2084

Fillis, IR, Lee, B and Lehman, K (2017) Art, science and organisational interactions: Exploring the value of artist residencies on campus. Journal of Business Research, 85. pp. 444-451. ISSN 0148-2963

Fillis, IR and Lehman, K (2021) Art collecting as consumption and entrepreneurial marketing as strategy. Arts Marketing: An International Journal. ISSN 2044-2084

Fillis, IR, Lehman, K and Wickham, M (2018) Exploring Supply Side Network Interactions in the Visual Art Production Process. Poetics, 69. pp. 57-69. ISSN 0304-422X

Fong, R ORCID: 0000-0002-0954-3437 (2021) Chinoiserie Drag: Masquerading as the Oriental Other. In: Edward, M and Farrier, S, (eds.) Contemporary Drag Practices and Performers Drag in a Changing Scene Volume 1. Bloomsbury Publishing, pp. 45-58. ISBN 9781350319196

Fray, H and Pereda, J (2019) Conductive Circuits. Printmaking Today (109). ISSN 0960-9253

Fries, J and Wall, T ORCID: 0000-0003-2334-3279 (2023) Drama as a hopeful practice when navigating liminal times. Nordic Journal of Art and Research, 12 (2). pp. 1-19. ISSN 2535-7328

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Ganga, RN ORCID: 0000-0001-9163-0013, Davies, L, Wilson, K and Musella, M (2024) The social value of place-based creative wellbeing: A rapid review and evidence synthesis. Sociology of Health and Illness. pp. 1-23. ISSN 0141-9889

Gaynor, S (2022) "She is saved now: I have washed her of all her sins:" Coping with Death, Grief, and Cults, in The Returned. In: Bacon, S, (ed.) Faith and the Zombie: Critical Essays on the End of the World and Beyond. McFarland, pp. 27-40. ISBN 9781476680538

Graham, E, Loyd, S, Bowsher, J, Shannon, W, Lamb, E, MacLean, S-B and Bailey, RA The Earls of Derby and the Early-Modern Performance Culture of North-West England. In: Graham, E, (ed.) Shakespeare Bulletin (Special Edition). Shakespeare Bulletin, 38 . Johns Hopkins University Press. (Accepted)

Greene, L (2016) Silence. SEQUENCE: Serial Studies in Media, Film and Music, 5.1. ISSN 2052-3033

Guo, FB (2016) Switching From Lecture to Design Workshop. In: 10th International Technology Education and Development Conference, 2016., 07 March 2016 - 09 March 2016, Valencia. (Unpublished)

Guo, FB and Finlay, PJ (2015) Aligning teaching and learning approach and assessment method to enhance the quality of higher design education. In: INTED2015 Proceedings 2015 . pp. 1859-1866. (9th International Technology Education and Development Conference,2015, 02 March 2015 - 04 March 2015, Madrid).

Guo, FB and Finlay, PJ (2015) Educating Design Professionals In The 21st Century. In: The 17th International Conference on Engineering and Product Design Education, 03 September 2015 - 04 September 2015, Loughborough University Design School. (Unpublished)

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Hall, L, Reason, M and Wood, A (2023) Making With: Conversations about Co-Creation. Compass Live Art.

Hayes, A, Jackson, WH, Murray, ET and Wakeman, S (2018) Probationary: The Game of Life on Licence. The Howard League for Penal Reform.

Haynes, S (2019) The Memory Store: A collaborative online fiction, which explores the opportunities for participatory narrative experiences afforded by the shared space of the Internet. Doctoral thesis, Liverpool John Moores University.

Hill, J (2021) Syntegration against the platform: Experimentation with the Team Syntegrity protocol for viable institutional forms that counter the logic of algocracy in institutions of contemporary art. Doctoral thesis, Liverpool John Moores University.

Howson-Griffiths, T ORCID: 0000-0001-5567-7789 (2023) Arts in Health and Wellbeing: Developing an arts, health and wellbeing strategy for the North Wales Health Board region. In: ETC- European Public Health Promotion Concha Colomer Symposium 2023, Chester.

Howson-Griffiths, TR and Windle, G (2017) Arts and science combine for dementia care. Arts Professional.

Hughes, B (2020) Performing Periods: Challenging Menstrual Normativity through Art Practice. Doctoral thesis, Liverpool John Moores University.

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Jackson, CS and Spencer, J (2017) Unknown Unknowns or: How I Learned to Stop Worrying and Love the Balloon! In: Jones, N, (ed.) Critical Kits and How We Use Them. Torque editions, pp. 70-73. ISBN 978-09932487-5-7

Jiao, L, Qu, J and Ge, X (2020) Research on Art Intervention in Rural Cultural Construction. In: Web of Proceedings . (2020 8th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference, 30 October 2020 - 31 October 2020, Chengdu, China).

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Kent, J (2016) Sound Received: immersion, listening and anthropology. Doctoral thesis, Liverpool John Moores University.

Kewley, S (2019) Changing Identities through Staging Recovery: The role of Community Theatre in the Process of Recovery. The Arts in Psychotherapy. ISSN 0197-4556

Killick, A (2019) Resisting the Creative Economy on Liverpool’s North Shore: Art-Based Political Communication in Practice. Westminster Papers in Communication and Culture, 14 (1). pp. 1-17. ISSN 1744-6716

Klasto, C and Orlek, J ORCID: 0000-0003-0835-1852 (2021) Open Letter as reparative interior: expanding, making, participating. Idea Journal, 18. pp. 223-236.

Krysa, J (2017) Exhibitionary practices at the intersection of academic research and public display. In: Seppä, A, Slager, H and Kaila, J, (eds.) The Futures of Artistic Research. University of the Arts Helsinki, Helsinki, pp. 63-72. ISBN 9789527131428

Krysa, J (2020) Exhibitionary practices at the intersection of academic research and public display (second expanded iteration). In: Rito, C and Balaskas, B, (eds.) Institution as Praxis – New Curatorial Directions for Collaborative Research. Sternberg Press. ISBN 978-3-95679-506-0

Krysa, J (2023) THE HELSINKI BIENNIAL ART MEDIATION FORUM 2023 An Anthology. Introduction title: As If Wandering Through a Forest. In: Krysa, J, El Baroni, B and Constantin, P, (eds.) THE HELSINKI BIENNIAL ART MEDIATION FORUM 2023 An Anthology. Helsinki Art Museum, Helsinki, pp. 8-12. ISBN 978-952-5939-45-3

Krysa, J ORCID: 0000-0002-0940-1762 (2023) New Directions May Emerge. Introduction. In: HELSINKI BIENNIAL 2023New Directions May Emerge. HAM Helsinki Art Museum, Helsinki, pp. 15-27. ISBN 978-952-5939-44-6

Krysa, J (2019) Samtidskunstens organiserede netværk. Nye tendenser, globale perspektiver, lokal specificitet. In: Juel Jepsen, C, Kjærboe, R, Krogh, S and Søberg, M, (eds.) Terræn. Veje ind i samtidskunsten. Aarhus University Press. ISBN 9788771248791

Krysa, J ORCID: 0000-0002-0940-1762 and Impett, L (2022) Rethinking Curating in an Age of Artificial Intelligence: The Next Biennial Should be Curated by a Machine. In: Grunert, FP, Craglia, M, Gomez, E and Thielan-del Pozo, J, (eds.) Human Ties and Artificial Intelligence. Noemn media & publishing on behalf of European Commission, pp. 129-134. ISBN 978-88-943827-2-3

Krysa, J ORCID: 0000-0002-0940-1762 and Impett, L (2022) Rethinking Curating in the Age of Artificial Intelligence. In: Grunert, FP, (ed.) Humanities and Artificial Intelligence. Noema Media and Publishing, European Union, EU. ISBN 978-88-943827-2-3

Krysa, J and Moscoso, M (2021) Curating, Biennials, and Artificial Intelligence. Project Report. Liverpool Biennial.

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Leaper, H (2017) Controversial Moderns. Art and Christianity Journal, 91 (3).

Leaper, H (2017) The Famous Women Dinner Service: A Critical Introduction. British Art Studies, 7. ISSN 2058-5462

Leaper, H ORCID: 0000-0001-9025-4896 and Hatchwell, S (2023) Exploring exhibition histories: an audit of the John Moores Painting Prize 1957 catalogue. Art UK.

Leaper, H ORCID: 0000-0001-9025-4896, Hatchwell, S, Johnston, P and Lamont, G (2023) Works from the 1957 John Moores Painting Prize. [Show/Exhibition]

Lee, B, Fillis, I ORCID: 0000-0002-8735-0948 and Voranau, R (2023) Entrepreneurial Pathways for Emerging Creatives. Journal of Arts Management, Law and Society. ISSN 1063-2921

Lee, B, Fraser, I and Fillis, IR (2022) To sell or not to sell? Pricing strategies of newly-graduated artists. Journal of Business Research, 145. pp. 595-604. ISSN 0148-2963

Lehman, K, Wickham, M and Fillis, IR (2019) Visitor motivations in arts and cultural organisations: A regional context. In: Ooi, C-S and Hardy, A, (eds.) Tourism in Tasmania. Forty South Pty Publishing Limited, pp. 160-174. ISBN 978-0-6486757-6-1

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MacKinnon-Day, P Artist Teacher Associates Exhibitions, symposiums, residencies and workshop events. [Show/Exhibition]

MacKinnon-Day, P The Calling Sheds. [Show/Exhibition]

MacKinnon-Day, P From China to China Town. From China to Chinatown - the women's perspective, 30 June 2012 - 30 September 2014. [Show/Exhibition]

MacKinnon-Day, P (2017) Intimacy and Immensity A Practice-led Explo of People and Place. Doctoral thesis, Liverpool John Moores University.

Maxwell, JP and Young, J (2019) The Futurist Podcast. [Audio]

McConnachie, P (2023) Soundings: A Practice Led investigation into Interactive and Immersive Sound Art Installations 2000-2018. Doctoral thesis, Liverpool John Moores University.

McKenna, AT ORCID: 0000-0001-7302-1679 (2024) Flashes in the Pan: Short Lived Trends, Television Star Specials, and the Transmedia Contexts of Elvis Presley’s 1968 “Comeback”. Open Screens, 6 (2).

McLeod, NJ, N Wright, D, McCall, K, Fuji, FM and McLeod, NJ (2017) Visual rhythms: facilitating young children’s creative engagement at Tate Liverpool. European Early Childhood Educational Research Journal., 26 (1). ISSN 1350-293X

McNeill, E and Ryder, C ORCID: 0000-0003-0907-835X (2019) The Body Image Labyrinth. 10th October 2019, The Florrie, Liverpool. [Show/Exhibition]

Medina Estupiñán, G and Saviotti, A ORCID: 0000-0003-3551-6544 (2017) Broadcasting the archive in Barcelona: Analysing the side effects of Arte Útil projects. Art & the Public Sphere, 6 (1). pp. 103-116. ISSN 2042-793X

Meecham, P and Sheldon, JL (2019) American Art under Norman Reid, 1964–79. Modern American Art at Tate 1945–1980.

Melia, A (2021) Urban Social Aesthetics: Individuating Contemporary Art's Urban Marxist Tendency. Doctoral thesis, Liverpool John Moores University.

Mitchell, I (2017) Exit : 2016 Fuxit. Studio Editions, Liverpool. ISBN 0993011314

Mitchell, I (2020) Infographics: Absent Without Leave. In: 2CO: communicating complexity 2017 . pp. 59-68. (2CO COmmunicating COmplexity 2017, 23 November 2017 - 25 November 2017, University of La Laguna, in Tenerife, the Canary Islands, Spain).

Mitchell, I ORCID: 0000-0001-6184-0271 (2022) Resisting the Algorithm or Chart-junk? Field mapping cultural history using visual metaphor. In: Department of Architecture, Design and Planning (DADU), University of Sassari, in Alghero, Sardinia, Italy . (2CO3: Communicating Complexity, 8-9 September 2022, Department of Architecture, Design and Planning (DADU), University of Sassari, in Alghero, Sardinia, Italy).

Mohaupt, H (2022) ArtCycle 2022 North Berwick. 7th August 2022, North Berwick. [Show/Exhibition]

Mohaupt, H (2022) ArtCycle 2022 Portobello, Scotland. ArtCycle 2022, 3rd September 2022, Portobello. [Show/Exhibition]

Moore, AM, Holt, R and Beckett, A (2014) The Emergent Role of the Social Designer. In: Proceedings of the 19th DMI: Academic Design Management Conference (Design). pp. 1971-1987. (The 19th DMI: Academic Design Management Conference, 02 September 2014 - 04 September 2014, London College of Fashion).

Muir, P E D (2003) Against the will to silence : an intellectual history of the American art journal October between 1976 and 1981. Doctoral thesis, Liverpool John Moores University.

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Neiva, R ORCID: 0000-0001-9163-0013 (2023) Garáž attendees reveal strong support for Trenčín European Capital of Culture 2026. Trenčín 2026, European Capital of Culture.

Neiva, R ORCID: 0000-0001-9163-0013, Davies, L and Wilson, KM (2022) Arts & Wellbeing: A review of the social value of place-based arts interventions. Project Report. What Works Centre Wellbeing, London.

Neiva Ganga, R (2012) Europos kultūros institucijos kaip glokalizmai: Fundação de Serralves ir Šiuolaikinio meno centro atvejai. Lietuvos kultūros tyrimai (2). ISSN 2029-8560

Neiva Ganga, R ORCID: 0000-0001-9163-0013 (2011) From the Soviet Exhibition Palace to the Contemporary Art Centre: Cultural Democratisation or Elitist Enclosure? Engage -The international journal of visual art and gallery education (28). pp. 19-28. ISSN 1365-9383

Neiva Ganga, R (2018) House of Memories Brazil – How Museums Can Meet the Global Dementia Challenge. Institute of Cultural Capital, Liverpool.

Neiva Ganga, R (2017) Researching digital heritage and cultural wellbeing in the international policy sphere. Institute of Cultural Capital, Liverpool.

Niethamer, N, Roughley, M ORCID: 0000-0002-7483-859X and D'Sa, R (2023) Increasing microbiology literacy about the public health threat of antimicrobial resistance through Art-Science interactions. In: Roughley, M, (ed.) Approaches for Science Illustration and Communication. Biomedical Vizualisation, 4 . Springer, Cham, Springer Nature Switzerland AG, pp. 207-239. ISBN 978-3-031-41651-4

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O'Shaughnessy, M (2017) Kings Wharf and Superdudeywords. Self published.

Orlek, J ORCID: 0000-0003-0835-1852 (2023) Artist-Led Housing: Summary and Recommendations Report. Presented to Arts Council North Staff Away Day. Project Report. J.L.Orlek & LJMU, Huddersfield.

Orlek, J ORCID: 0000-0003-0835-1852 (2020) Commoning Artist-led Housing. Sluice Magazine. ISSN 2398–8398

Orlek, J ORCID: 0000-0003-0835-1852 (2017) Sharing the domestic through "residential performance". In: Cairns, G, Artopoulos, G and Day, K, (eds.) From Conflict to Inclusion in Housing: Interaction of Communities, Residents and Activists. UCL Press, London, pp. 180-198. ISBN 978-1-78735-034-2

Orlek, J ORCID: 0000-0003-0835-1852, Burke, S, McKinlay, J, Sharples, V and Thompson, J (2024) Becoming Part of the Architecture: Embedded Artistic Research. Sluice Magazine, Vernac. pp. 20-29. ISSN 2398-8398

Owen, K ORCID: 0000-0003-2517-4739 and Owen, PB (2022) SOLE_ZINE 06 TRIMM TRAB. SOLE_ZINE 06 TRIMM TRAB, 06. ISSN 2634-7598

Owen, K ORCID: 0000-0003-2517-4739 and Owen, PB (2023) Sole-Zine Obsession, Style and Place. In: FTC FUTURESCAN5: Conscious Communities Exhibit Report (5). (FTC FUTURESCAN5: Conscious Communities, 7th - 8th September 2022, University of Leeds, UK).

Owen, K ORCID: 0000-0003-2517-4739 and Owen, PB (2022) Sole-Zine Volumes 02-07 exhibited at the FTC FutureScan5: Conscious Communities Conference. FTC FutureScan5: Conscious Communities Conference, 1st Sep - 8th Sep 2022, University of Leeds. [Show/Exhibition]

Owen, K ORCID: 0000-0003-2517-4739 and Owen, PB (2022) Sole-Zine featured at 'Big Ideas' Exhibition, LJMU. 'Big Ideas' Exhibition, 8th June 2022, Liverpool John Moores University. [Show/Exhibition]

Owen, K ORCID: 0000-0003-2517-4739 and Owen, PB (2023) Sole_Zine 08 Mad on Adidas. Sole_Zine 08 Mad on Adidas, 08. ISSN 2634-7598

Owen, KJ ORCID: 0000-0003-2517-4739 and Owen, PB (2022) SOLE_ZINE 07 COMMUNITY. SOLE_ZINE 07 COMMUNITY, 07. ISSN 2634-7598

Owen, P ORCID: 0000-0002-9657-568X and Owen, KJ (2024) Sole_Zine 09 The Block P Issue - The Liverpool Style Protagonists Representing the Culture of ‘110’s’. Sole_Zine 09 The Block P Issue - The Liverpool Style Protagonists Representing the Culture of ‘110’s’., 09. ISSN 2634-7598

Ozdemir Gokbulut, O, Fillis, IR and Bas Collins, A (2020) Developing insights into the link between art and tourism through the value co-creation lens. Arts and the Market, 10 (3). pp. 145-163. ISSN 2044-2084

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Pereda, J ORCID: 0000-0001-8211-4914, Murrieta Flores, P and Sanchez, A (2024) Unlocking Nahua Cosmovision through Machine Learning. In: Transnational Island Museologies, Materials for discussion (2024). pp. 58-62. (ICOM & ICOFOM 47th Annual Assembly, 5-7 June 2024, University of St. Andrews).

Pereda, J, Murrieta-Flores, P, Radburn, N, South, L and Monaghan, C (2020) Afrobits: An Interactive Installation of African Music and the Trans-Atlantic Slave Trade. In: Proceedings of EVA London 2020 . (Electronic Visualisation and the Arts, 07 July 2020 - 09 July 2020 delayed 16-18th November 2020, London, UK).

Potter, R ORCID: 0000-0001-9592-8861 (2022) Death to all pigs who enter here! DEATH TO ALL PIGS WHO ENTER HERE!, 3/2/22 - 26/3/22, A plus A Gallery, Venice. [Show/Exhibition]

Potter, R ORCID: 0000-0001-9592-8861 (2022) Land Lay Moldbrest. 20/11/22 -07/05/23, PRIMARY, Nottingham. [Show/Exhibition]

Potter, R ORCID: 0000-0001-9592-8861 (2023) Nothing escapes Maria Fusco's analytical eye. ArtReview, 75 (08). p. 112. ISSN 1745-9303

Potter, R ORCID: 0000-0001-9592-8861 (2023) Where there is resonance. In: Browne, S, (ed.) Echo's Bones: a parallel play. Fingal County Council, Dublin, pp. 116-137. ISBN 9781914348068

Power, E, Adams, M, Harman, V, Garland, J and McCarthy, D (2024) 'Connection Rather Than Output': Reflections on the Role of Art Workshops in Qualitative Research With Women in Prison. International Journal of Qualitative Methods, 23. ISSN 1609-4069

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Rakaf, S (2021) The Melodramatic Representation of the Child in the Text and in Illustration Charles Dickens's View of Education and of Children. Other thesis, Liverpool John Moores University.

Roberts, E ORCID: 0000-0002-9118-6888 (2022) Jamaica Making The Theresa Roberts Art Collection. Liverpool University Press, Liverpool, UK. ISBN 9781800855472

Romanello, F (2020) Spontaneity and Repetition: Towards Immanence in Text-based Performance. Doctoral thesis, Liverpool John Moores University.

Roughley, M ORCID: 0000-0002-7483-859X, Liu, CYJL, Wilkinson, CM and Saleem, S (2024) Using a morph-based animation to visualise the face of Pharaoh Ramesses II ageing from middle to old age. Digital Applications in Archaeology and Cultural Heritage, 35.

Roughley, M, Smith, K and Wilkinson, C (2019) Investigating new areas of art-science practice-based research with the MA Art in Science programme at Liverpool School of Art and Design. Higher Education Pedagogies, 4 (1). pp. 226-243. ISSN 2375-2696

Roughley, M and Wilkinson, C (2022) Liverpool LASER talks: a community ‘studio-laboratory’? Leonardo, 55 (1). pp. 67-71. ISSN 0024-094X

Roy, E and McLain, M ORCID: 0000-0002-8691-3155 (2024) The disciplinary matrix of applied arts and artistic cultures. The Curriculum Journal. pp. 1-21. ISSN 0958-5176

Ryder, C ORCID: 0000-0003-0907-835X (2023) Season's Greetings. In: 14th International Conference on the Image, 15-16 November 2023, Zaragoza, Spain.

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