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American Art under Norman Reid, 1964–79

Meecham, P and Sheldon, JL (2019) American Art under Norman Reid, 1964–79. Modern American Art at Tate 1945–1980.

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Open Access URL: https://www.tate.org.uk/research/publications/mode... (Accepted version)

Abstract

Norman Reid’s directorship of the Tate Gallery was marked by several high-profile and sometimes controversial acquisitions and exhibitions of American art. This essay draws upon archival sources to provide detailed accounts of these important episodes in Tate’s history – from the purchase of Roy Lichtenstein’s Whaam! in 1966 to the so-called ‘Bricks scandal’ surrounding Carl Andre’s Equivalent VIII ten years later – and considers Reid’s role in balancing the ambitions of his curators, the expectations of trustees and the demands of visitors.

Item Type: Article
Subjects: N Fine Arts > NX Arts in general
Divisions: Doctoral Management Studies (new Sep 19)
Publisher: Tate Publications
Date Deposited: 18 Oct 2019 10:55
Last Modified: 18 Oct 2019 10:55
URI: http://researchonline.ljmu.ac.uk/id/eprint/11605

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