Tools
Tools
Fong, R (2018) Cinema of displaced identity. In: Contesting British Chinese Culture. Palgrave Macmillan, Cham, Springer, pp. 169-193. ISBN 9783319711584
|
Text
Cinema of Displaced Identity (2).pdf - Accepted Version Download (334kB) | Preview |
Abstract
In this chapter Rosa Fong gives an account of her work as a writer, producer, and director of films. Throughout the chapter she situates herself as a British Chinese filmmaker but also identifies as British East Asian, and she explores how that has informed her work. She draws on key debates on identity, representation, hybridity, migrancy, and postcolonialism to frame her work. She also describes the stylistic approaches she has used in her films and how she has utilized genre as a way to inflect notions of hybridity and otherness.
| Item Type: | Book Section |
|---|---|
| Subjects: | H Social Sciences > H Social Sciences (General) P Language and Literature > PN Literature (General) > PN1993 Motion Pictures |
| Divisions: | Screen School |
| Publisher: | Palgrave Macmillan, Cham, Springer |
| SWORD Depositor: | A Symplectic |
| Date Deposited: | 26 Jan 2024 09:15 |
| Last Modified: | 26 Jan 2024 09:15 |
| DOI or ID number: | 10.1007/978-3-319-71159-1_10 |
| URI: | https://researchonline.ljmu.ac.uk/id/eprint/22321 |
 |
View Item |