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Items where Subject is "M Music"

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Number of items at this level: 44.


Athanasopoulos, G, Eerola, T, Lahdelma, I, Kaliakatsos-Papakostas, M and Damjanovic, L (2021) Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. PLoS One, 16 (1). e0244964-e0244964. ISSN 1932-6203

Blades, J, Jones, K and Robinson, C (2022) Audio Restoration of Dubplates: Cleaning and Digital Processing Lacquer Records from Reggae/Dancehall Culture. Electrotechnica & Electronica (Е+Е), 57 (9-12). pp. 87-96. ISSN 0861-4717

Casaña-Eslava, RV, Jarman, IH, Ortega-Martorell, S, Lisboa, PJG and Martín-Guerrero, JD (2020) Music genre profiling based on Fisher manifolds and Probabilistic Quantum Clustering. Neural Computing and Applications. ISSN 0941-0643

Damjanovic, L and Kawalec, A (2021) The role of music-induced emotions on recognition memory of filmed events. Psychology of Music. ISSN 0305-7356

Donnelly, C (2021) I am Sitting in a Room, Listening to Mank. Screenworks, 12 (1).

Donnelly, C (2020) Sonic Chronicle, Post Sound. NECSUS: European Journal of Media Studies, 9 (2). pp. 453-456. ISSN 2213-0217

Doughty, RJ (2017) The Buppie and Authentic Blackness: Middle-class cultural producers in Spike Lee’s Bamboozled and HBO’s Treme. Film International, 3-4 (14). ISSN 1651-6826

Greene, L (2020) Sound and the audiovisual essay, part 1: Dialogue, music, and effects. NECSUS: European Journal of Media Studies (Autumn). ISSN 2213-0217

Krueger Bridge, S (2023) The social value of music during the Covid-19 pandemic: Exploring the benefits of online music participation for social capital, education, belonging and wellbeing. Journal of Beliefs and Values: studies in religion and education, 44 (4). pp. 517-534. ISSN 1361-7672

Krüger, S (2011) Democratic Pedagogies: Perspectives from Ethnomusicology and World Music Educational Contexts in the United Kingdom. ETHNOMUSICOLOGY, 55 (2). pp. 280-305. ISSN 0014-1836

Krüger, S (2016) A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song. Ethnomusicology Forum, 24 (3). ISSN 1741-1920

Krüger, S Expressing "Paraguayidad": Rolando Chaparro and Rock Music Culture in Paraguay. Popular Music and Society. ISSN 1740-1712 (Submitted)

Krüger, S (2016) In Conversation with Steve Levine. Journal of Popular Music Studies, 27 (4). pp. 101-125. ISSN 1533-1598

Krüger Bridge, S (2022) Music and Identity in Paraguay: Expressing National, Racial, and Class Identity in Guitar Music Culture. Journal of the Royal Musical Association, 147 (1). pp. 1-49. ISSN 0269-0403

Millward, P, Widdop, P and Halpin, M (2017) A 'Different Class'?: Homophily and Heterophily in the Social Class Networks of Britpop. Cultural Sociology, 11 (3). pp. 318-336. ISSN 1749-9755

Smyth, G (2012) Column: What’s the point of our national anthem today? [Sing when you're winning: the national anthem debate]. TheJournal.ie.

Smyth, G (2019) ‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison. Irish University Review, 49 (1). pp. 171-187. ISSN 0021-1427

Smyth, G (2012) The Representation of Dublin in Story and Song. Prospero: Revista di Letterature e Culture straniere, XVII. pp. 203-218. ISSN 1123-2684

Smyth, G (2017) Shanty singing and the Irish Atlantic: Identity and hybridity in the musical imagination of Stan Hugill. International Journal of Maritime History, 29 (2). pp. 387-406. ISSN 0843-8714

Willie, RJ (2022) Ballads, Tudor Vagabonds and Roundhead Reputations: the Restoration After-Life of Cook Laurel. Huntington Library Quarterly: studies in English and American history and literature, 85 (1). pp. 91-111. ISSN 0018-7895

Book Section

Doughty, RJ (2009) African American Film Sound: Scoring Blackness. In: Harper, G, Eisentraut, J and Doughty, RJ, (eds.) Sound and music in film and visual media. Continuum International Publishing, London, pp. 325-339. ISBN 9780826458247

Krüger, S (2013) Branding the City: Music Tourism and the European Capital of Culture Event. In: Krüger, S and Trandafoiu, R, (eds.) Globalization of Musics in Transit: Music Migration and Tourismand. Routledge. ISBN 978-0-415-64007-7

Krüger, S (2015) The Cosmopolitan City: Music and Mediation during the European Capital of Culture Event. In: Yilmaz, A, Trandafoiu, R and Mousoutzanis, A, (eds.) Media and Cosmopolitanism. Peter Lang. ISBN 978-3-0343-0969-1

Krüger Bridge, S (2022) Transnational Music. In: Stahl, G and Percival, JM, (eds.) The Bloomsbury Handbook of Popular Music and Place. Bloomsbury, London, pp. 315-328.

Smyth, GA (2014) Popular Music and the Celtic Tiger. In: Maher, E and O'Brien, E, (eds.) From Prosperity to Austerity: A socio-Cultural Critique of the Celtic Tiger and its Aftermath. Manchester University Press, pp. 76-88. ISBN 978-0-7190-9168-1

Wilkinson, C and Wilkinson, S (2019) All about that place: Tuning in to community radio - Listener diary accounts. In: Doughty, K, Duffy, M and Harada, T, (eds.) Sounding Places: More-than-Representational Geographies of Sound and Music. Edward-Elgar, Cheltenham, UK. ISBN 978 1 78811 892 7


Krueger Bridge, S (2022) The Digital Turn: Exploring the Social Value of Liverpool Cathedral's Online Music Outreach Programme during the Covid-19 Pandemic. Project Report. Liverpool Cathedral.

Yates, SJ, Evans, SR and Jones, M (2016) BEATLES HERITAGE IN LIVERPOOL AND ITS ECONOMIC AND CULTURAL SECTOR IMPACT: A REPORT FOR LIVERPOOL CITY COUNCIL. Other. Liverpool john moores University European Institute of Urban Affairs, Liverpool.

Conference or Workshop Item

Krüger, S (2014) Music, Mediation and Place: A Cultural Musicology of the Cosmopolitan City. In: Cultural Musicology iZine . (Conference on Cultural Musicology, 24th -25th January 2014, University of Amsterdam).

Krüger, S and Lincoln, S (2010) Enhancing Employability in Music: An Ethnographic Study into Student Experiences. In: HEA . (Teaching and Learning Conference, 21st - 22nd Apr 2010, Liverpool John Moores University).

Men, L and Zhao, D (2021) AudioMostly - Designing Sonic Privacy of Virtual Reality Musical Instruments. In: ICPS Proceedings . pp. 93-100. (Audio Mostly 2021, 01 September 2021 - 03 September 2021, Virtual Event).

Pereda, J, Murrieta-Flores, P, Radburn, N, South, L and Monaghan, C Afrobits: An Interactive Installation of African Music and the Trans-Atlantic Slave Trade. In: Proceedings of EVA London 2020 . (Electronic Visualisation and the Arts, 07 July 2020 - 09 July 2020 delayed 16-18th November 2020, London, UK). (Accepted)


Campbell, S (2002) Second-generation Irish rock musicians in England : cultural studies, pop journalism and musical 'routes'. Doctoral thesis, Liverpool John Moores University.

Gregory, M (2006) Towards a universal language : evaluating autonomy, identity, and the metropolis in the legacy of Japanese experimental music. Doctoral thesis, Liverpool John Moores University.

He, L (2024) Popular Music and Identity in China: A Qualitative Analysis of “Chineseness” in Mandopop since the 1980s. Doctoral thesis, Liverpool John Moores University.

Santos Barea, C (2022) Gangsta Rap - A Practice-led Autoethnographic Study in the Audiovisual Arts. Doctoral thesis, Liverpool John Moores University.


Hyatt, J, Langford, J and Brennan, P (2017) 50 Squid. [Composition]

Hyatt, J, Langford, J and Brennan, P (2017) Fragile Skin. [Composition]

Hyatt, J, Langford, J and Brennan, P (2017) Hippy Girl. [Composition]

Hyatt, J, Langford, J and Brennan, P (2017) In. [Composition]

Jackson, DA and Cavanagh, P (2019) The Room in the Wood - 'Charmed' Digital Single. [Composition]


Fillis, I and Dennis, N (2023) Stepping out of the discourse to make sense of the discourse: an alternative lens to explore the strategic marketing management of the entrepreneurial consumer movement. [Video]


Kealey, N and Jones, G (2021) Who Killed Cock Robin? Lyrics on trial – the criminalisation of urban sub-genre music and the defence of Digga D. Policing Insight.

Krüger, S (2009) Ethnography in the Performing Arts: A Student Guide. PALATINE, Higher Education Academy.

This list was generated on Mon May 27 23:06:33 2024 UTC.