B

Banks, M, Baron, C, Buhler, J, Cartier, N, Lopez, L, Mera, M, Smith, J and Greene, L (2018) Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap. ISSN 0149-1830

Bartlett, A M (2020) Communicating the complexity of children’s needs and aspirations to the designers of info-graphics. In: 2CO: Communicating Complexity 2017 . (2CO COmmunicating COmplexity 2017, 23 November 2017 - 25 November 2017, University of La Laguna, Tenerife, Spain).

Birnbaum, H, Roughley, M and D'Sa, R (2020) Antimicrobial animals. Journal of Visual Communication in Medicine. ISSN 1745-3054

Brown, M (2018) Khacchad:Mule. [Video]

Brown, M (2017) Making It Home - the story of eleven ex-servicemen who came home to live on Cleenish Island. [Video]

Bulut, O, Liu, C-YJ, Koca, F and Wilkinson, C (2017) Comparison of three-dimensional facial morphology between upright and supine positions employing three-dimensional scanner from live subjects. Legal Medicine, 27. pp. 32-37. ISSN 1344-6223

Burns, L (2020) “Creative Writing […] has a place in the curriculum”: Robert Wunsch at Black Mountain College, 1933-43. Journal of Black Mountain College Studies, 11.

Byrne, J (2016) Social Autonomy and the Use Value of Art. Afterall: A Journal of Art, Context and Enquiry, 42 (201). pp. 60-69. ISSN 1465-4253

C

Campomanes-Alvarez, C, Ibáñez, O, Cordón, O and Wilkinson, C (2017) Hierarchical information fusion for decision making in craniofacial superimposition. Information Fusion, 39. pp. 25-40. ISSN 1566-2535

Cheetham, A (2012) A veiling of identity : anamorphosis as double vision in contemporary art practice. Doctoral thesis, Liverpool John Moores University.

Cotterrell, D, Kulkarni, N and MacKinnon-Day, P Digital Open. Grosvenor Museum's Open Art Exhibition., 14 March 2017 - 30 April 2017, Grosvenor Museum. [Show/Exhibition]

Cranfield, J (2020) “The Kinematograph View of Life”: Cinema, Fiction & Periodicals in Britain, 1910-20. Journal of Modern Periodical Studies, 10 (1-2). pp. 52-75. ISSN 1947-6574

D

Dayan, D (2016) Even Though My Land is Burning. [Video]

Diac, MM, Earar, K, Damian, SI, Knieling, A, Iov, T, Shrimpton, S, Castaneyra-Ruiz, M, Wilkinson, C and Bulgaru Iliescu, D (2020) Facial Reconstruction: Anthropometric Studies Regarding the Morphology of the Nose for Romanian Adult Population I: Nose Width. Applied Sciences, 10 (18). ISSN 2076-3417

Dickinson, T, Liu, C-YJ and Roughley, M (2022) The affordances of 3D imaging modalities for forensic facial identification. In: 19th Biennial Meeting of the International Association for Craniofacial Identification, Virtual Event.

Donnelly, C (2024) Calibrating for Kindness. A Pedagogical Encounter with Video Essay Students. Zeitschrift für Medienwissenschaft.

Donnelly, C (2023) Sound Before Picture. Zenodo.

Donnelly, C (2022) The Spanish quinqui film: delinquency, sound, sensation. Studies in European Cinema. ISSN 1741-1548

Donnelly, C (2023) A Tactile Art. Zenodo.

Doughty, RJ (2009) African American Film Sound: Scoring Blackness. In: Harper, G, Eisentraut, J and Doughty, RJ, (eds.) Sound and music in film and visual media. Continuum International Publishing, London, pp. 325-339. ISBN 9780826458247

E

Ellis, AWJ (2016) ABC Cinema Exhibition Review, Liverpool Biennial (Review for 'Corridor 8', Contemporary Art & Writing Journal). Corridor 8, Manchester.

Ellis, AWJ (2014) 'Blue–Red' (Artwork exhibited in two group exhibitions, 'I Don't Love Soccer Because Soccer Has Never Loved Me'; 'Aaaah', London). [Artefact]

Ellis, AWJ (2016) Deansgate–Cornbrook (Artist film. Available to view at www.anthonyellis.info). [Video]

Ellis, AWJ (2017) Grapes Cap Horse Queen. Alright Books, Manchester. ISBN 978-1-38-980304-8

Ellis, AWJ (2019) Highway Code (Manchester 10k). Screenworks, 9.1. ISSN 2514-3123

Ellis, AWJ (2017) North Exhibition Review, Open Eye Gallery, Liverpool (Review for 'Corridor 8', Contemporary Art & Writing Journal). Corridor 8, Manchester.

Ellis, AWJ (2014) Soundspace: Notting Hill Carnival. [Video]

F

Fernandez Suarez, M (2022) Reimagining Spain in times of crisis: Articulating nation through the Latin American and African other in contemporary Spanish film (2005-2015). Doctoral thesis, Liverpool John Moores University.

Fillis, I, Lehman, K and Wickham, M (2023) Assessing the notion of art as a product: entrepreneurial marketing insights from the visual arts. Journal of Research in Marketing and Entrepreneurship. ISSN 1471-5201

Fillis, IR, Lee, B and Fraser, I (2016) Measuring the cultural value of the Royal Scottish Academy New Contemporaries Exhibition as a platform for emerging artists. Cultural Trends, 24 (3). pp. 245-255. ISSN 1469-3690

Fillis, IR and Lehman, K (2022) Cultural murals and the evolving nature of the hero concept: an arts marketing context. Arts and the Market. ISSN 2044-2084

Fong, R (2018) Deconstructing Zoe: Performing Race. Zapruder World, 4. ISSN 2385-1171

Forde, V (2024) Astrophysical Preservation of Terrestrial Life on Mars Through a Sphericalist, Esoteric Futurist Approach. Doctoral thesis, Liverpool John Moores University.

Freeney, AM (2016) Engaging students with Computer Coding in the Visual and Applied Arts in Higher Education: The Possibilities, Challenges and Opportunities. Masters thesis, Liverpool John Moores University.

G

Gaynor, S (2022) Better the Devil You Know: Nostalgia for the Captured Killer in Netflix's Conversations With A Killer: The Ted Bundy Tapes. In: Robinson, BAB and Daigle, C, (eds.) Serial Killers in Contemporary Television: Familiar Monsters in Post 9/11 Culture. Routledge Research in Cultural and Media Studies . Routledge. ISBN 9781032202501

Grace, S and England, D (2015) Art. CHI 2015. University of North Carolina at Charlotte, Charlotte, North Carolina. ISBN 1320773699

Greene, L (2016) The Labour of Breath: performing and designing breath in cinema. Music, Sound, and the Moving Image, 10 (2). pp. 109-133. ISSN 1753-0768

Greene, L (2019) Looking Across the Abyss: Human/Non-Human Animal. The Cine-Files (14). ISSN 2156-9096

Greene, L (2016) Silence. SEQUENCE: Serial Studies in Media, Film and Music, 5.1. ISSN 2052-3033

Greene, L (2020) Teaching the Student, not the Subject: Videographic Scholarship. The Cine-Files (15). ISSN 2156-9096

Greene, L and Thornton, N (2021) Brews and Brows: Shaping Stories from eyebrows to scousebrows. Screen, 61 (4). pp. 646-654. ISSN 1460-2474

H

Hatchwell, S, Insh, F and Leaper, H (2019) Born Digital: Early Career Researchers Shaping Digital Art History. Visual Resources. ISSN 0197-3762

Haynes, S (2024) Where Did You Go Today? A Brief History of Narrative Space. Where Will You Go Tomorrow? The Future of Narrative Space. Ultimart: Jurnal Komunikasi Visual, 17 (1). pp. 1-11. ISSN 1979-0716

Howson, T (2015) Zombies, time machines and brains: Science fiction made real in immersive theatres. Thesis Eleven, 131 (1). pp. 114-126. ISSN 0725-5136

Howson-Griffiths, TR (2019) Locating sensory labyrinth theatre within immersive theatres history. Studies in Theatre and Performance. ISSN 1468-2761

Howson-Griffiths, TR (2019) Sensory labyrinth theatre: an untold immersive theatre history. Studies in Theatre and Performance, 40 (2). pp. 190-205. ISSN 1468-2761

Hughes, B (2018) Periodical Exhibition. Being Human, 15 November 2018 - 28 November 2018, Various. [Show/Exhibition]

Hughes, B and Standing, KE (2018) Menstrual art: why everyone should go and see it. The Conversation. ISSN 2201-5639

Hyatt, J (2016) Ammemorium: Samuel Wylie Windrim 18th April 1890 - 8th April 1955, A Forgotten Rebel’s Tale. 08 December 2016 - 17 January 2017, Granary, Limerick, Ireland. [Show/Exhibition]

Hyatt, J (2017) John Hyatt: ROCK ART. Rock Art, 04 February 2017 - 29 March 2017, HOME, Manchester. [Show/Exhibition]

Hyatt, J (2017) Shot Under the Volcano. Under the Volcano, 70 Years On: A Malcolm Lowry conference, 28 July 2017 - 29 July 2017, Bluecoat, Liverpool. UK. [Show/Exhibition]

Hyatt, J and Taipan, I (2018) Psychedelic Adventures of Clean Machine. Stimulus Respond (ISSN17). ISSN 1746-8086

I

Irwin, J, Roughley, M and Smith, K (2020) To Donate or Not to Donate? That is the Question!’ - an organ and body donation comic. Journal of Visual Communication in Medicine, 43 (3). pp. 103-118. ISSN 1745-3054

J

Jackson, CS (2018) Africa Is Much Bigger Than You Think It Is. Author, Liverpool.

Jackson, DA (2015) Violet City: Fantasizing Liverpool in Song, Story and Film. Journal of Writing in Creative Practice, Vol. 8 (2 & 3). pp. 173-191. ISSN 1753-5190

K

Kent, J (2016) Sound Received: immersion, listening and anthropology. Doctoral thesis, Liverpool John Moores University.

Kerr, W (2023) Water, earth, fire, air: Banal nationalism and Avatar: The Last Airbender. European Journal of Cultural Studies. pp. 1-16. ISSN 1367-5494

Kolivand, H, Alhajhamad, H, Hashish, FA and Sunar, MS (2013) An Overview: Image Segmentation Techniques for Geometry and Color Detection in Augmented Reality Environments. Oriental Journal of Computer Science and Technology, 6 (2). pp. 21-31. ISSN 0974-6471

Kolivand, H, Ali, IR and Sulong, G (2015) Realistic Lip Syncing for Virtual Character Using Common Viseme Set. Computer and Information Science, 8 (3). ISSN 1913-8989

Kolivand, H and Sunar, MS (2011) Real-Time Projection Shadow with Respect to Sun’s Position in Virtual Environments. International Journal of Computer Science Issues, 8 (6). pp. 80-84. ISSN 1694-0784

Kolivand, H and Sunar, MS (2011) Real-Time Sky Color with Effect of Sun’s Position. International Journal of Scientific & Engineering Research, 2 (11). ISSN 2229-5518

Kolivand, H and Sunar, MS (2011) To Combine Silhouette Detection and Stencil Buffer for Generating Real-Time Shadow. International Journal of Computer Graphics, 2 (1). ISSN 2005-4254

Kolivand, H, Sunar, MS, Ali, H and Arsad, MA (2016) A Review on Light Shafts Rendering for Indoor Scenes. International Journal of Computer, Electrical, Automation, Control and Information Engineering, 10 (4).

Kolivand, H, Sunar, MS, Jusoh, N and Olufemi, O (2011) Real-Time Shadow Using a Combination of Stencil and The Z-Buffer. The International Journal of Multimedia & Its Applications, 3 (3). pp. 27-38. ISSN 0975-5578

Kolivand, H, Sunar, MS and Rehman, A (2012) Extended edge silhouette detection algorithm to create real-time shadow volume. International Journal of Academic Research in Business and Social Sciences, 4 (3). pp. 209-218. ISSN 2222-6990

Kolivand, H, Sunar, MS and Zakaria, A (2015) Shadow Generation in Augmented Reality: A Complete Survey. IETE Technical Review, 32 (1). pp. 3-15. ISSN 0256-4602

Krysa, J (2016) Collision of Art and Ants Worlds - a conversation with Jussi Parikka and Jaroslaw Czarnecki. Czas Kultury, 188 (issue). ISSN 0867-2148

Krysa, J (2023) Helsinki Biennial 2023: New Directions May Emerge. Helsinki Biennial, 11th Jun - 17th Sept 2023, Helsinki Art Museum, Vallisaari Island, Public Art, Online. [Show/Exhibition]

L

Latham, K, Hurst, W, Shone, N, El Rhalibi, A and Pan, Z A Case Study on the Advantages of 3D Walkthroughs over Photo Stitching Techniques. In: IEEE International Conference on Virtual Reality and Visualization (ICVRV 2016), 24 September 2016 - 26 September 2016, Hangzhou, China. (Unpublished)

Leaper, H and Roberts, A (2023) Fanchon Fröhlich: The Liverpudlian Polymath. Abstract Thinking: Fanchon Fröhlich & Her Contemporaries, 7th October - 30th March 2024, Victoria Gallery and Museum. [Show/Exhibition]

Lincoln, S and Robards, B (2014) Being strategic and taking control: Bedrooms, social network sites and the narratives of growing up. New Media and Society, 18 (6). pp. 927-943. ISSN 1461-7315

Liu, C-YJ, Shrimpton, S and Wilkinson, C (2019) Facial depiction of a Medieval Scottish individual excavated from a site in Tarbat display at Tarbat Discovery Centre, Scotland. LJMU, Liverpool UK.

Liu, C-YJ, Wilkinson, C, Roch, A, Zesch, S, Mussauer, A, Paladin, A and Zink, A (2022) Facial depiction of a Roman Period mummy with portrait from the Fayoum Oasis, Egypt. In: 10th World Congress on Mummy Studies | WMC 2022 . (The World Mummy Congress, Bolzano, Italy).

Liu, CJ and Wilkinson, C (2020) A guided manual method for juvenile age progression using digital images. Forensic Science International, 308. ISSN 0379-0738

Lynch, J (2022) Perfection and Performativity in Print: Visual Analyses of Gender and Sexuality Portrayals in Popular Japanese Graphic Arts since the 17th Century. Doctoral thesis, Liverpool John Moores University.

M

MacKinnon-Day, P Artist Teacher Associates Exhibitions, symposiums, residencies and workshop events. [Show/Exhibition]

MacKinnon-Day, P The Calling Sheds. [Show/Exhibition]

MacKinnon-Day, P (2017) Origin and the Darwin Sweetpea. Unpublished. (Unpublished)

MacKinnon-Day, P Origin, Darwin Green. [Show/Exhibition]

MacKinnon-Day, P (2014) Rural Voices – from Depmore to Shocklach. [Video]

MacKinnon-Day, P, Gabie, N and Rooney, P Constructing connections: Fiction, Art and life. 09 September 2017 - 30 November 2017, Croxteth Hall. [Show/Exhibition]

MacKinnon-Day, P, Rooney, P, Gabie, N, Jackson, T, Holtaway, J and O Donghaile, D Constructing Connections: Fiction, Art and Life (2017). [Show/Exhibition]

Machado, CEP, Pinheiro Flores, M, Lima, LNC, Tinoco, RLR, Franco, A, Bezerra, ACB, Evison, MP and Guimaraes, MA (2017) A new approach for the analysis of facial growth and age estimation: Iris ratio. PLoS One, 7. pp. 1-19. ISSN 1932-6203

Mackenzie, S and Wilkinson, CM (2017) Morphological and morphometric changes in the faces of female-to-male transsexual (FTM) people. International Journal of Transgenderism, 18 (2). pp. 172-181. ISSN 1434-4599

Maguire, V (2010) Shamanarchy : The life and work of Jamie Macgregor Reid. Doctoral thesis, Liverpool John Moores University.

Marley, K (2019) Expanded Documentary: The Aesthetics of Pleasure. InMedia : the French Journal of Media and Media Representations in the English-Speaking World. ISSN 2259-4728

Marley, Keith (2022) Fleur de Sel" Etudes Numéro 2. Sightlines: Filmmaking In The Academy (4). ISSN 2653-1801

Maxwell, JP (2015) DIGITAL, The Quiet Revolution in Filmmaking from Script to Screen. A case study called VIOLET CITY. In: Avanca Cinema 2015 . pp. 28-35. (AVANCA | CINEMA 2015 International Conference Cinema – Art, Technology, Communication, 22nd-26th July 2015, Avanca, Portugal).

Maxwell, JP and Young, J (2019) The Futurist Podcast. [Audio]

McAssey, J (2017) Fanpages 2017. In: Garnett, B and Joliffe, K, (eds.) Fanpages 2017. Idea Books, London.

McLeod, NJ, Stockell, K, Astbury, E and McCann, J (2020) Nurturing young children’s self-identity and respect for difference through artwork as a provocation using philosophical enquiry: a pilot study. Early Years: an international research journal Special Issue. ISSN 0957-5146

McNeill, E and Ryder, C (2019) The Body Image Labyrinth. 10th October 2019, The Florrie, Liverpool. [Show/Exhibition]

Melia, A (2021) Urban Social Aesthetics: Individuating Contemporary Art's Urban Marxist Tendency. Doctoral thesis, Liverpool John Moores University.

Mitchell, I (2022) Common.otf. Ian Mitchell.

Mitchell, I (2017) Exit : 2016 Fuxit. Studio Editions, Liverpool. ISBN 0993011314

Mitchell, I (2018) I Don't Love Soccer Because Soccer Has Never Loved Me 2018. 29 June 2018 - 13 July 2018, Camp and Furnace, Liverpool, UK. [Show/Exhibition]

Mitchell, I (2015) TYPuzzle a typographic game - typuzzle.co.uk. Author.

Mitchell, I (2014) World Cup Clichés: Graphic Design’s Approach To Football. The Double Negative.

Mitchell, I, Jackson, C and Spencer, J (2014) I Don't Love Soccer Because Soccer Has Never Loved Me. 25th June 2014, Bold Street Coffee, Bold Street, Liverpool L1 4HF. [Show/Exhibition]

Mohaupt, H and Heath, S (2024) Kites. 125th Annual Exhibition at The Maclaurin Gallery, Ayr, 19th November 2023 - 14th January 2024, The Maclaurin Art Gallery, Rozelle Park, Monument Road, KA7 4NQ. [Show/Exhibition]

N

Neiva Ganga, R (2015) Objeto, Artista e Público – miscigenações entre arte e educação. In: Processos de musealização : um Seminário de Investigação Internacional : Atas do Seminário . (Processos de Musealização, 05 November 2014 - 07 November 2014, University of Porto).

Neiva Ganga, R and Wilson, KM (2020) Valuing family carers: the impact of House of Memories as a museum-led dementia awareness programme. International Journal of Care and Caring. ISSN 2397-8821

Newland, P (2016) "I didn’t think I’d be working on this type of film": Berberian Sound Studio and British Art Film as Alternative Film History. Journal of British Cinema and Television, 13 (2). pp. 262-277. ISSN 1743-4521

Newland, P (2024) The Participants Academic guiding text. Academic Quarter, 28. pp. 75-81.

Newland, P (2016) The Spatial Politics of the Voice in Patrick Keiller's Robinson in Ruins (2010). The New Soundtrack, 6 (2). pp. 129-142. ISSN 2042-8855

Newland, P (2015) We come, our country’s rights to save: English rural landscape and leftist aesthetics in Comrades. Visual Culture in Britain, 16 (3). pp. 331-347. ISSN 1471-4787

Newland, P (2023) What wind in what trees? Listening to Blow-Up (1966). In: Donnelly, KJ and Mollaghan, A, (eds.) Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound. New Approaches to Sound, Music, and Media . Bloomsbury Publishing, London. ISBN 9781501389566

Newland, P and Hoyle, B (2016) Introduction: Post-millennial British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 233-242. ISSN 1743-4521

Newman, A, Baber, M, O Brien, D, Goulding, A, Jones, CH, Howson, T, Jones, C, Parkinson, C, Taylor, K, Tischler, V and Windle, G (2016) Carrying out research across the arts and humanities and social sciences: developing the methodology for Dementia and Imagination. Cultural Trends, 25 (4). pp. 218-232. ISSN 0954-8963

O

O'Shaughnessy, M (2017) Kings Wharf and Superdudeywords. Self published.

Owen, K (2019) LJMU X SUES Exhibition. 01 July 2019 - 04 July 2019, Liverpool, UK. [Show/Exhibition]

Owen, KJ (2021) 20:20 Print Exchange 2021. Hot Bed Press + International Galleries, 01 November 2021 - 01 August 2022, Iceland, Hungary & India. [Show/Exhibition]

Owen, KJ Light Night 2021 'PLAY'. LightNight 2021 - A Place for Everything (Play), 21 May 2021 - 21 May 2021, Instagram @aplaceforeverythingand. [Show/Exhibition]

Owen, KJ (2020) Light Night at Home. 15 May 2020 - 15 May 2020, Online - Instagram. [Show/Exhibition]

Owen, KJ (2020) MA & Other Postgraduate 2020 exhibition. Second Skin [Deconstructing the Fashion Leather Aesthetic], 24 February 2020 - 21 March 2020, Atkinson Gallery, Millfield School, Street, Somerset.. [Show/Exhibition]

Owen, KJ (2017) The Northern Eye International Photography Festival. Title: When Material and Mountains Meet. 09 October 2017 - 26 October 2017, Venue Cymru. [Show/Exhibition] (Accepted)

Owen, KJ and Owen, PB (2022) Big Ideas at LJMU Research event. APS Research, LJMU Student Life Building.

Owen, KJ and Owen, PB (2017) A Fractured Identity. Ice Cream for Crow Exhibition, 12 November 2017 - 14 November 2017, Make. North Docks, Liverpool. [Show/Exhibition] (Accepted)

Owen, KJ and Owen, PB Sole-Zine 07 The Community Issue Exhibition. The Sole-Zine 07 Community exhibition, 18th Jun - 30th Jun 2022, Exhibition Research Lab, John Lennon Art School, LJMU. [Show/Exhibition]

Owen, P (2022) UN_FOLD Magazine in collaboration with ‘Art of the Terraces’ major exhibition at The Walker Art Gallery Liverpool, National Museums Liverpool. Art of the Terraces Exhibition, The Walker Art Gallery Liverpool, National Museums Liverpool. [Show/Exhibition]

Owen, P and Owen, K (2024) Sole-Zine x The Block P: For the love of ‘110’s’. 6th July 2024 - 30th September 2024, The Block P, 36 Renshaw St, Liverpool, L1 4EF. [Show/Exhibition]

Owen, P and Owen, KJ (2024) Sole_Zine 09 The Block P Issue - The Liverpool Style Protagonists Representing the Culture of ‘110’s’. Sole_Zine 09 The Block P Issue - The Liverpool Style Protagonists Representing the Culture of ‘110’s’., 09. ISSN 2634-7598

Owen, PB (2017) 26-2-Art-Project - Blood Vessel Damage - Mile 18. [Performance]

Owen, PB (2020) Bright Lights [for milestone]. [Performance]

Owen, PB (2018) Fashion of Counter Culture - Obsession, Style and Place at LACESOUT! 2018. HINTERLANDS, 24 November 2018 - 24 November 2018, Liverpool, UK. [Show/Exhibition]

Owen, PB (2018) The Fashion of Counter Culture Obsession Style Place Gallery Guide. Liverpool John Moores University. ISBN 978-0-9576173-4-6

Owen, PB (2017) A Grand Exposition. [Performance]

Owen, PB (2024) Hope for Authenticity. Authenticity. New Rules of Engagement. David Crow Designer Educator Exhibition, 8th April 2024 - 20th April 2024, Chelsea Space, Chelsea College of Arts. [Show/Exhibition]

Owen, PB (2019) LJMU X SUES Exhibition. 01 July 2019 - 04 July 2019, Liverpool John Moores, John Lennon Art & Design Academy. [Show/Exhibition]

Owen, PB (2021) Milestone [titanium]. 20:20 Print Exchange, 09 November 2021. [Show/Exhibition]

Owen, PB (2017) Star Dust - The Northern Eye International Photography Festival. [Performance]

Owen, PB (2019) UN_FOLD Magazine v_05. UN_FOLD magazine, 2000 (05). ISSN 2398-2713

Owen, PB (2016) Youth Culture [Britishness]. UN_FOLD magazine v_02, v_02 (v_02). ISSN 2398-2713

Owen, PB (2019) milestone [it’s still personal]. LJMU Exhibition, 15 November 2019 - 03 December 2019, Liverpool, UK. [Show/Exhibition]

P

Palace, M, von Wagner, C, Srivastava, M, Smith, J, Santos Barea, C, Stoffel, S, Yfantidou, I, Rowley, S and Tripathi, R (2024) Developing Multimodal Data-driven Art-inspired Bowel Cancer Screening Promotion Images: An International Pilot Study. In: North West Cancer Research Symposium 2024, 3rd Jul 2024, Yoko Ono Lennon Centre, Liverpool.

Papadimitriou, L (2024) Dimitris Papanikolaou, Greek Weird Wave: A Cinema of Biopolitics. Edinburgh: Edinburgh University Press. 2021. Pp. xvi + 268. 27 illustrations., Hardback and Ebook £90.00, Paperback £19.99. Journal of Modern Greek Studies, 42 (1). pp. 130-132. ISSN 0738-1727

Papadimitriou, L (2018) Film Distribution in Greece: Formal and Informal Networks of Circulation since the Financial Crisis. Screen, 59 (4). pp. 484-505. ISSN 1460-2474

Papadimitriou, L (2018) Greek Cinema as European Cinema: Co-productions, Eurimages and the Europeanisation of Greek Cinema. Studies in European Cinema. ISSN 1741-1548

Papadimitriou, L (2017) Transitions in the Periphery: Funding Film Production in Greece since the Financial Crisis. International Journal on Media Management, 19 (2). pp. 164-181. ISSN 1424-1250

Papadimitriou, L (2021) Women of the Revolution in Greek Cinema: Bouboulina and Manto Mavrogenous [in Greek]. Χάρτης [in Greek], 35. ISSN 2732-8279

Pereda, J, Murrieta-Flores, P, Radburn, N, South, L and Monaghan, C (2020) Afrobits: An Interactive Installation of African Music and the Trans-Atlantic Slave Trade. In: Proceedings of EVA London 2020 . (Electronic Visualisation and the Arts, 07 July 2020 - 09 July 2020 delayed 16-18th November 2020, London, UK).

Petersen, E (2024) The Space Between and Beyond Notes: Practice-led Exploration of Graphic Notation as Compositional Method for Song, Music Performance and Recordings. Doctoral thesis, Liverpool John Moores University.

Pinheiro Flores, MR, Machado, CEP, Gallidabino, MD, de Arruda, GHM, da Silva, RHA, de Vidal, FB and Melani, RFH (2018) Comparative Assessment of a Novel Photo‐Anthropometric Landmark‐Positioning Approach for the Analysis of Facial Structures on Two‐Dimensional Images. Journal of Forensic Sciences, 64 (3). pp. 828-838. ISSN 0022-1198

Porto, LF, Lima, LNC, Pinheiro Flores, M, Valsecchi, A, Ibanez, O, Machado, CEP and Vidal, FDB (2019) Automatic cephalometric landmarks detection on frontal faces: An approach based on supervised learning techniques. Digital Investigation, 30. pp. 108-116. ISSN 1742-2876

R

Rakaf, S (2021) The Melodramatic Representation of the Child in the Text and in Illustration Charles Dickens's View of Education and of Children. Other thesis, Liverpool John Moores University.

Roberts, A, Roughley, M and Wilkinson, C (2022) Glioblastoma: The Weed of the Brain. Journal of Visual Communication in Medicine. ISSN 1745-3054

Roberts, E (2024) Anish Kapoor: Monadic Singularity. Art and Christianity (119). pp. 10-11.

Roughley, M (2020) Pores, Pimples and Pathologies: 3D Capture and Detailing of the Human Skin for 3D Medical Visualisation and Fabrication. In: Rea, P, (ed.) Biomedical Visualisation. Springer International Publishing. ISBN 978-3-030-47482-9

Roughley, M and Liu, C-YJ (2022) Digital 2D, 2.5D and 3D methods for adding photo-realistic textures to 3D facial depictions of people from the past. In: Rea, P, (ed.) Biomedical Visualisation 11. Springer International Publishing, pp. 245-280.

Roughley, M and Liu, C-YJ (2021) Digital 2D, 2.5D and 3D methods for generating photo-realistic 3D facial depictions of people from the past. In: 19th Biennial Meeting of the International Association of Craniofacial Identification: "Race and Face: bias in forensic and archaeological investigation". Liverpool John Moores University, 23rd July 2021, Liverpool, UK.

Roughley, M, Manetti, V, Pettigrew, A, Irwin, J, York-Salmon, G, Charuhas, S, Tsenina, I, Birnbaum, H, Holmes, E and Niethamer, N (2021) A showcase of MA Art in Science research projects (2016-2020) that explore the boundaries of art, anatomy, biology, medicine, microbiology and public health. Journal of Visual Communication in Medicine. ISSN 1745-3054

Roughley, M and Wilkinson, C (2022) Liverpool LASER talks: a community ‘studio-laboratory’? Leonardo, 55 (1). pp. 67-71. ISSN 0024-094X

Roughley, M and Wilkinson, C (2019) The affordances of 3D and 4D digital technologies for computerized facial depiction. In: Rea, P, (ed.) Biomedical Visualisation. Advances in Experimental Medicine and Biology, 2 . Springer, pp. 87-101. ISBN 978-3-030-14227-8

Ryder, C (2023) Brouhaha Art: Portrait Artist of the Year. 4th November - 26th November 2023, Virtual Exhibition. [Show/Exhibition]

Ryder, C (2022) The Royal Cambrian Academy Annual Open Art Exhibition 2022. 08 January 2022 - 26 February 2022, Conwy, Wales. [Show/Exhibition]

Ryder, C (2023) The Royal Cambrian Academy Annual Open Art Exhibition 2023. , Royal Cambrian Academy. [Show/Exhibition]

Ryder, C (2023) Royal Institute of Painters in Water Colours 211th Exhibition 2023. , Mall Galleries, The Mall, London SW1. [Show/Exhibition] (Accepted)

Ryder, C (2024) Society of Women Artists 163rd Exhibition 2024: Zoom Call and Gold Stripe. The Society of Women Artists | 163rd Annual Open Exhibition, 25th Jun - 29th Jun 2024, Mall Galleries, The Mall, London SW1. [Show/Exhibition]

Ryder, C (2020) Textilart Produkte Lehrmittelverlag. Lehrmittelverlag St.Gallen.

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Sheldon, JL and Trodd, C (2014) Introduction to 'Ford Madox Brown and the Victorian Imagination’. Visual Culture in Britain, 15 (3). pp. 227-238. ISSN 1471-4787

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Temussi, V (2021) Traces and Echoes: a methodology for the making of embodied performance. Doctoral thesis, Liverpool John Moores University.

Tsampalla, S (2023) Commoning the Biennial or the Biennialisation of the Commons? Examining how Large-scale Periodic Exhibitions Learn from Urban Common Spaces: Athens Biennale 5-6, OMONOIA (2015-2017) and documenta 14, Learning from Athens (2017). Doctoral thesis, Liverpool John Moores University.

Turnbull, S, Vincett, J and Froden, G (2019) Art as Resistance: A Story From Immigration Detention. 'Visualising origami art as resistance in immigration detention - 14th Annual Ethnography Symposium, 28-30th August 2019, University of Portsmouth. [Show/Exhibition]

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Vaiude, P, Roughley, M, Redman, A and Harper-Machin, A (2021) The Surgical Art Face©: Developing a bespoke multimodal face model for reconstructive surgical education. In: Rea, P, (ed.) Biomedical Visualisation. Advances in Experimental Medicine and Biology, 10 . Springer International Publishing, pp. 157-179.

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Wilkerson, E (2024) Invasive Species. Doctoral thesis, Liverpool John Moores University.

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Wilkinson, CM and Castaneyra-Ruiz, M (2021) The current status of Migrant Disaster Victim Identification in the Canary Islands. Journal of the British Academy, 9s8. ISSN 2052-7217

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Wilkinson, CM, Mackenzie, S and Smith, K (2019) Faces of Merseyside: Exploring cognitive bias through facial averages. Leonardo. ISSN 0024-094X

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Windle, G, Gregory, S, Howson-Griffiths, TR, Newman, A, O'Brien, D and Goulding, A (2017) Exploring the theoretical foundations of visual art programmes for people living with dementia. Dementia. ISSN 1471-3012

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Young, D (1998) Fine art application of holography : the historical significance of light and hologram in visual preception and artistic depiction. Doctoral thesis, Liverpool John Moores University.